ONE OF THE MOST STREAMED ASIAN CLASSICAL ARTISTS

When Akira Kosemura started making music, it was a kind of therapy during his difficult time in his early 20s. He carried an audio recorder to capture the soundscape he encountered, and those field recordings inspired him to create music with his piano. “My original reason for making it, after all, was to heal myself, a kind of rehabilitation technique and it is still part of my everyday life, or perhaps an extension of it. It’s like breathing for me” he recalls.

Since his record debut in 2007, Kosemura’s compositions have been reflecting his inner voice, and drawing various images silently and beautifully – from quiet nights, four seasons, to some stories about unknown people in unknown world. He garnered attention worldwide, collaborated with notable musicians such as John Legend and Devendra Banhart, and created scores for films/TV drama/video games like the Cannes featured film True Mothers (2020), Hollywood produced drama series Love Is__ (2018), the Nintendo Switch game Jack Jeanne (2021), TV anime Honey Lemon Soda (2025), and so many others. Completely self-taught composer/pianist has become one of the most streamed Asian classical artists, has signed Decca Records/Universal Music in 2022, and released diverse records including his renowned solo piano album, SEASONS (2023).

Now in 2025, Kosemura looks at a new direction. MIRAI (means “future” in Japanese) is his first-ever vocal project album featuring 7 notable singers – Devendra Banhart, Mr Hudson, Baths, Benjamin Gustafsson, Saro, Tom Adams, and Miyuki Hatakeyama.

“I came up with this project as I felt a sense of division during the COVID pandemic” says Kosemura. As a father raising his son, his focus on making music has been shifted from his inner voices to the message for next generations, and he decided to set the concept of this record to describe the future from his personal perspective with music, for future era.

Based on his background and experiences as a Japanese and composer, MIRAI unites various elements from Asian traditional instruments, film soundtrack to post-rock, neo-classical and electronica, in his one-of-a-kind musicality and several languages, just like post-war Japanese culture developed uniquely with the influence from western countries. The result is so colorful – we can hear the influences from post-rock such as Mogwai and Sigur Ros on ‘Atlas’ featuring Tom Adams, see ambient worlds featuring field recordings of songs of Nagas in Myanmar on ‘SECAI’ and ‘Lore’, and feel gentle winds in the mountains on ‘Autumn Moon’ featuring Miyuki Hatakeyama, which lyrics are cited from Ogura Hyakunin Isshu, a classical Japanese anthology of one hundred Japanese waka by one hundred poets.

Says Kosemura, “It was a great time for me to be able to bring out the various musical elements that influenced me from my young age to the present and incorporate them one by one into the album. We would travel diverse worlds through the record, and it ends with utopian Japanese music. I wrote the last track ‘Ongaku’ with the image of a Japanese festival that doesn’t actually exist. The ending of the song is also a little fantastical, with the sound flying off somewhere, as it is intended to be listened to again by going back to the first song.”

“This is very different to SEASONS. This looks at the world from a very different perspective” says the composer. Featuring various instruments such as dilruba, erhu, shakuhachi, koto, shamisen and many others, MIRAI is his phantasmal statement for the future, as well as his journey to the utopia of music.

“It feels impossible to get tired of, circumscribed and boundless at once.”
by Pitchfork

“Fantastic stuff.”
by Gilles Peterson

“Peaceful, evocative music”
by Fact Magazine

1985年6月6日東京生まれ。在学中の2007年にソロ・アルバム「It’s On Everything」を豪レーベルより発表後、自身のレーベル「Schole Records」を設立。以降、ソロアルバムをコンスタントに発表しながら、映画やテレビドラマ、ゲーム、舞台、CM音楽の分野で活躍。

主なスコア作品に、瀬々敬久監督による長編映画「ラーゲリより愛を込めて」「少年と犬」、河瀨直美監督による長編映画「朝が来る」（カンヌ国際映画祭公式作品）、ハリウッド制作の海外ドラマ「Love Is__」、石田スイ総合プロデュースによる Nintendo Switch ゲーム「ジャックジャンヌ」、TVアニメ「ハニーレモンソーダ」や「青のオーケストラ」、TBS系テレビドラマ「中学聖日記」、ミラノ万博・日本館展示作品などがあり、米Amazon オリジナル映画「ジョナス・ブラザーズ 復活への旅」や、ヴェネチア映画祭・金獅子賞を受賞したフランス人監督オドレイ・ディワンのデビュー作「Mais vous êtes fous（Losing It）」の劇中音楽、またスティーヴン・スピルバーグ監督作品「フェイブルマンズ」米国予告編映像にも楽曲が使用されている。

近年は、国際的なブランドとのコラボレーションが多く、是枝裕和監督が手掛けたSK-II STUDIOのドキュメンタリー「The Center Lane（池江璃花子）」の音楽や、アパレルブランド TAKAHIROMIYASHITATheSoloist. SS22/AW23 コレクション・ランウェイの音楽、LA MER BLUE HEART、LAND ROVER、L’OCCITANE への楽曲提供、米アーティスト Devendra Banhart との共作など、特定の枠に収まらない独自の活動を展開。

また、Spotify が発表する「海外で最も再生された日本人アーティスト／楽曲 Top10」に2017年、2018年連続でランクインしたほか、米国メディア「Pitchfork」、豪州新聞紙「THE AGE」、フランス公共放送「FIP」、カナダ公共放送「Ici Musique」にてその才能を賞賛されるなど、国内外から注目される作曲家。

2022年より名門デッカ・レコードと契約を結び、メジャーデビューアルバム『SEASONS』をワールドリリース、ジョン・レジェンドの新作『レジェンド アクトⅠ＆Ⅱ』収録の「ジ・アザー・ワンズ feat. ラプソディ」でも自身の楽曲がサンプリング使用されるなど、世界を舞台とした活躍を続けている。

「飽きることの無い彼の旋律は果てしなく、他の音楽家と一線を画するものだ」－ピッチフォーク

「ファンタスティックだ」―ジャイルス・ピーターソン

「ピースフルで喚起的な音楽」－ファクト・マガジン